

In ’11 to Midnight,’ TikTok’s Cost n’ Mayor deliver the year’s best dance party
By Ryan Leeds Pastel Post-it notes plaster the doors and inside walls of the Orpheum Theater, where audience members of…
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By Ryan Leeds Pastel Post-it notes plaster the doors and inside walls of the Orpheum Theater, where audience members of…
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By Jerry Portwood All great stories contain drama, conflict, and tension, so it’s no wonder that many creators are drawn…
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A glossy new stage adaptation of "Holiday" revival at Goodman Theatre starts strong but loses its effervescence by Act III.
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Kathryn Erbe shines in her Steppenwolf return, but "The Dance of Death" meanders through familiar toxic marriage territory.
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"High Spirits" at New York City Encores!: stellar cast, gorgeous orchestra, but a dated script that needed to stay in…
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In "Blackout Songs," two alcoholics spiral toward rock bottom. The staging is sleek, but the play's structure swirls.
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Matthew Libby's "Data" turns Silicon Valley workplace dynamics into a timely thriller about AI ethics, surveillance, and moral compromise.
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By Matthew Wexler At over 700 pages, James Joyce’s 1922 novel Ulysses is the Mt. Everest of 20th-century literature. Spanning…
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An Ark's mixed-reality experiment offers proximity to Ian McKellen, but a genuine connection requires more than advanced optics.
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"Oh, Mary!" is the rare Broadway hit that gets better with every bold new casting choice.
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