Visually captivating with moments of brilliance, the stage adaptation of Hamnet's modern approach to 16th-century loss never quite lands.
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In "Kramer/Fauci," Daniel Fish transforms a C-SPAN segment into surreal agitprop that proves fury and friendship aren't mutually exclusive.
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Geffen's "Sylvia Sylvia Sylvia" starts with haunting brilliance but ends by reinforcing the very tropes it set out to dismantle.
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Sean Hayes stars in "The Unknown," a twisty thriller about a writer obsessed with his stalker. Who's hunting who?
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Emma D'Arcy and Tobias Menzies deliver commanding performances in "The Other Place" at The Shed—a multisensory family tragedy steeped in…
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By Ryan Leeds Pastel Post-it notes plaster the doors and inside walls of the Orpheum Theater, where audience members of…
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By Jerry Portwood All great stories contain drama, conflict, and tension, so it’s no wonder that many creators are drawn…
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A glossy new stage adaptation of "Holiday" revival at Goodman Theatre starts strong but loses its effervescence by Act III.
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Kathryn Erbe shines in her Steppenwolf return, but "The Dance of Death" meanders through familiar toxic marriage territory.
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"High Spirits" at New York City Encores!: stellar cast, gorgeous orchestra, but a dated script that needed to stay in…
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