Ingrid Michaelson is funny. And she’ll crack your heart wide open

Ingrid Michaelson performs at Lincoln Center's American Songbook series.
Ingrid Michaelson performs at Lincoln Center's American Songbook series. Photo by Matthew Wexler.
Share this:

By Matthew Wexler

Ingrid Michaelson knows how to land a joke. Taking the stage at Lincoln Center’s Wu Tsai Theater, she lovingly reminisces about her upbringing on Staten Island and an array of heartbreaks. Her humble, down-to-earth humor struck a charming balance with the singer-songwriter’s ballad-heavy repertoire for a one-night-only performance as part of Lincoln Center’s American Songbook series.

The series is experiencing a refresh this season thanks to curator Clint Ramos, who’s titled his programming “Echoes of an Inheritance.” At the core of Ramos’s ethos is the  “understanding that American musical identity has never been singular.”

What ‘The Time and Space Between Us’ actually felt like

“Ingrid shows us how our stories of family and love—across time—are eternally connected,” writes Ramos. His perspective rang true after experiencing  Michaelson’s performance, “The Time and Space Between Us,” in real time at Geffen Hall’s Wu Tsai Theater. 

Accompanied by musical director Carmel Dean, phenomenal supporting vocalists Allie Moss and Hannah Winkler, a string quartet, and guest artists including Helen Shen (Maybe Happy Ending), Michaelson played hits from her celebrated catalog. She also honored artists who have inspired her, and played selections from her debut Broadway musical, The Notebook

Michaelson knows how to get into the heart of an arrangement. There’s a propulsion to her style, evident in songs like “Sort Of,” which unravels the truths many of us have experienced: 

“And if I was stronger then I would tell you no
And if I was stronger then I would leave this show
And if I was stronger then I would up and go
But here I am and here we go again”

“Sort Of” by Ingrid Michaelson

Michaelson kicked off her platform heels for an encore—not of her own writing—but a crossstitch connecting the past to the present. Elvis’s “Can’t Help Falling in Love” has been the theme of countless weddings and proms. But most aren’t aware its original melody pays homage to the 1784 French love song “Plaisir d’amaour.” The parting moment was a subtle reminder to, as Ramos writes, “challenge, question, and celebrate our shared inheritance.”

Explore more American Songbook: Songs of an Inheritance performances.

Have another minute?

Broadway spring 2026 astrology composite featuring Ayo Edebiri, André de Shields, Stephanie Hsu, and Rose Byrne.
Ayo Edebiri, André de Shields, Stephanie Hsu, and Rose Byrne. Photos: Shutterstock. Illustration by Matthew Wexler

Take Five: What the stars say about Broadway’s biggest spring openings

Broadway Review: This heist needs help. Jon Bernthal and Ebon Moss-Bachrach almost pull it off in ‘Dog Day Afternoon’

Hot Sec: 5 regional theater shows worth the trip this April

Share this:

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.