Emma D'Arcy and Tobias Menzies deliver commanding performances in "The Other Place" at The Shed—a multisensory family tragedy steeped in…
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In ’11 to Midnight,’ TikTok’s Cost n’ Mayor deliver the year’s best dance party
By Ryan Leeds Pastel Post-it notes plaster the doors and inside walls of the Orpheum Theater, where audience members of…
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‘The Monsters’: Siblings, trauma & uppercuts in Ngozi Anyanwu’s new play
By Jerry Portwood All great stories contain drama, conflict, and tension, so it’s no wonder that many creators are drawn…
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‘High Spirits’: A musical ghost story that overstays its welcome
"High Spirits" at New York City Encores!: stellar cast, gorgeous orchestra, but a dated script that needed to stay in…
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‘Blackout Songs’ spirals through a decade of addiction, but where does it land?
In "Blackout Songs," two alcoholics spiral toward rock bottom. The staging is sleek, but the play's structure swirls.
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‘Data’ asks the AI question Silicon Valley refuses to answer
Matthew Libby's "Data" turns Silicon Valley workplace dynamics into a timely thriller about AI ethics, surveillance, and moral compromise.
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Review: ‘Ulysses’ compresses one day into a dense, demanding adaptation
By Matthew Wexler At over 700 pages, James Joyce’s 1922 novel Ulysses is the Mt. Everest of 20th-century literature. Spanning…
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Heaven can wait: Ian McKellen elevates ‘An Ark,’ but mixed reality can’t bridge the digital divide
An Ark's mixed-reality experiment offers proximity to Ian McKellen, but a genuine connection requires more than advanced optics.
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Review: Dylan Baker steals the show in ‘The Disappear,’ but there’s nowhere to go
Erica Schmidt's "The Disappear" has no shortage of ideas—climate anxiety, creative authorship, marital collapse—but the overgrown script never gives its…
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Something’s missing at ‘Picnic at Hanging Rock’ and it’s not just the girls
Off-Broadway's "Picnic at Hanging Rock" features complex music but struggles to capture the atmospheric mystery of Joan Lindsay's original novel.
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