When a memoir about evangelical abuse goes public, everyone faces consequences. Jen Tullock's solo show explores faith and trauma through…
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Before John Patrick Shanley won an Oscar for ‘Moonstruck,’ he wrote this Italian American heartbreaker
John Patrick Shanley's rarely revived play returns to NYC with Broadway stars Mary Testa and Wade McCollum in a heartfelt…
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Dylan Mulvaney proves messy is marvelous in ‘The Least Problematic Woman in the World’
Dylan Mulvaney turns cancel culture, trans visibility, and show tunes into camp magic in "The Least Problematic Woman in the…
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Chloë Grace Moretz navigates tough love as a recovering addict in ‘Caroline’
Chloë Grace Moretz shines in "Caroline," a sharp family drama about sobriety, boundaries, and what we owe those who've hurt…
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‘Masquerade’ turns ‘Phantom’ into a maze worth getting lost in
Andrew Lloyd Webber's classic gets the immersive treatment in 'Masquerade.' Dance lessons included.
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John Leguizamo proves he’s still electric onstage, even when ‘The Other Americans’ lacks spark
John Leguizamo writes and stars in "The Other Americans" about a Latin family's pursuit of the American Dream, but the…
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Lou Wall’s truth budget: How much authenticity can one comic afford?
Lou Wall's viral Facebook Marketplace bed story sequel hits Off-Broadway.
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Fall for Dance Festival rises above the culture war chaos with a provocative, international line-up
New York City Center's Fall for Dance features a stellar lineup, including Gibney Company, Paris Opera Ballet, and a new…
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Sia’s new musical ‘Saturday Church’ has the voice, but needs more than faith to soar
Sia's new musical "Saturday Church" boasts powerhouse vocals from Bryson Battle but gets lost in familiar LGBTQ+ coming-of-age tropes.
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In ‘Galas,’ Anthony Roth Costanzo proves that camp and coloratura can co-exist
Countertenor Anthony Roth Costanzo brings vocal chops to Charles Ludlam's drag-inspired "Galas" at Little Island through September 28.
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