From disco Marcos to corporate climbers, three regional theater productions are asking who gets to rise and what the climb…
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From disco Marcos to corporate climbers, three regional theater productions are asking who gets to rise and what the climb…
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From a page-to-stage adaptation to a contemporary take on Chekhov, March offers regional productions worth writing home about.
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Center Theatre Group's 'Here Lies Love' captivates with Filipino talent but can't reconcile disco spectacle with political history.
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Court Theatre's stunningly designed "Miss Julie" reimagines Strindberg's 1888 play with a thoughtful commentary about race and class.
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Joshua Harmon's most personal play, "We Had a World" is also one of his best—a sharp, tender tug-of-war between love,…
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In the opening sequence of Arena Stage’s Chez Joey, a bustling group of musicians and dancers arrives in a 1940s…
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Visually captivating with moments of brilliance, the stage adaptation of Hamnet's modern approach to 16th-century loss never quite lands.
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Geffen's "Sylvia Sylvia Sylvia" starts with haunting brilliance but ends by reinforcing the very tropes it set out to dismantle.
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A glossy new stage adaptation of "Holiday" revival at Goodman Theatre starts strong but loses its effervescence by Act III.
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Kathryn Erbe shines in her Steppenwolf return, but "The Dance of Death" meanders through familiar toxic marriage territory.
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