From a page-to-stage adaptation to a contemporary take on Chekhov, March offers regional productions worth writing home about.
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‘Here Lies Love’ asks who gets to tell Filipino history, then dances around the answer
Center Theatre Group's 'Here Lies Love' captivates with Filipino talent but can't reconcile disco spectacle with political history.
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In ‘Miss Julie,’ Court Theatre finds something new inside a very old birdcage
Court Theatre's stunningly designed "Miss Julie" reimagines Strindberg's 1888 play with a thoughtful commentary about race and class.
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Joshua Harmon gets personal in ‘We Had a World’—and it pays off
Joshua Harmon's most personal play, "We Had a World" is also one of his best—a sharp, tender tug-of-war between love,…
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Arena Stage’s ‘Chez Joey’ has big ambition. Does the classic framework hold it back?
In the opening sequence of Arena Stage’s Chez Joey, a bustling group of musicians and dancers arrives in a 1940s…
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‘Hamnet’ chases modern grief, but sacrifices historical truth
Visually captivating with moments of brilliance, the stage adaptation of Hamnet's modern approach to 16th-century loss never quite lands.
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Geffen’s ‘Sylvia Sylvia Sylvia’ can’t escape its own ending
Geffen's "Sylvia Sylvia Sylvia" starts with haunting brilliance but ends by reinforcing the very tropes it set out to dismantle.
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Goodman Theatre’s ‘Holiday’ reimagines vintage wit for a modern audience
A glossy new stage adaptation of "Holiday" revival at Goodman Theatre starts strong but loses its effervescence by Act III.
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Even with a stellar cast, Steppenwolf’s ‘The Dance of Death’ feels stale
Kathryn Erbe shines in her Steppenwolf return, but "The Dance of Death" meanders through familiar toxic marriage territory.
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5 regional productions worth the trip this February
From Pulitzer Prize winners to disco dictatorships, February's regional theater lineup proves the best antidote to winter malaise is a…
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