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Joshua Harmon gets personal in ‘We Had a World’—and it pays off
Joshua Harmon's most personal play, "We Had a World" is also one of his best—a sharp, tender tug-of-war between love,…
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Arena Stage’s ‘Chez Joey’ has big ambition. Does the classic framework hold it back?
In the opening sequence of Arena Stage’s Chez Joey, a bustling group of musicians and dancers arrives in a 1940s…
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NYC Off-Broadway cheat sheet: ‘Mexodus,’ ‘Spelling Bee,’ TikTok stars Cost n’ Mayor & more
Our picks for NYC Off-Broadway Week 2026: hip-hop sensation Mexodus, TikTok stars Cost n' Mayor in 11 to Midnight, Spelling…
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6 women, 1 room, infinite timelines: ‘The Dinosaurs’ at Playwrights Horizons
Jacob Perkins' 'The Dinosaurs' at Playwrights Horizons asks audiences to sit with discomfort in a time-shifting recovery drama.
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Carnegie Hall gets its groove back with The New York Pops
Carnegie Hall got its groove back as The New York Pops delivered thrilling R&B with Aisha Jackson and Avery Wilson.
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‘Hamnet’ chases modern grief, but sacrifices historical truth
Visually captivating with moments of brilliance, the stage adaptation of Hamnet's modern approach to 16th-century loss never quite lands.
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‘Kramer/Fauci’ proves the best friendships are forged in fury
In "Kramer/Fauci," Daniel Fish transforms a C-SPAN segment into surreal agitprop that proves fury and friendship aren't mutually exclusive.
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Geffen’s ‘Sylvia Sylvia Sylvia’ can’t escape its own ending
Geffen's "Sylvia Sylvia Sylvia" starts with haunting brilliance but ends by reinforcing the very tropes it set out to dismantle.
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Sean Hayes turns the psychological thriller inside out in ‘The Unknown’
Sean Hayes stars in "The Unknown," a twisty thriller about a writer obsessed with his stalker. Who's hunting who?
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‘The Other Place’ turns a house renovation into Greek tragedy at The Shed
Emma D'Arcy and Tobias Menzies deliver commanding performances in "The Other Place" at The Shed—a multisensory family tragedy steeped in…
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In ’11 to Midnight,’ TikTok’s Cost n’ Mayor deliver the year’s best dance party
By Ryan Leeds Pastel Post-it notes plaster the doors and inside walls of the Orpheum Theater, where audience members of…
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‘The Monsters’: Siblings, trauma & uppercuts in Ngozi Anyanwu’s new play
By Jerry Portwood All great stories contain drama, conflict, and tension, so it’s no wonder that many creators are drawn…
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