Bob Mackie, Edith Head, and a bronze Michael Jackson walk into a gallery

"Showstoppers: The Art of Stage and Screen" at Helicline Fine Art. (l-r) Meryl Streep in "Happy End" by Al Hirschfeld, "Opera Box" by William Gropper," and a costume design for Diana Ross by Bob Mackie.
(l-r) Meryl Streep in "Happy End" by Al Hirschfeld, "Opera Box" by William Gropper," and a costume design for Diana Ross by Bob Mackie.
Share this:

By Jude Cramer

Live performance’s transience is part of its magic: If you miss a show, you’ll never be able to experience it as intended. But theater does leave behind artifacts that are often art in and of themselves. At Helicline Fine Art’s newest exhibition, Showstoppers: The Art of Stage and Screen, those mementos get their time in the spotlight.

Helicline Fine Art, a private art gallery in Manhattan, has curated a collection of 45 art pieces spanning from the 1920s to the 1990s that showcase a lesser-seen side of the artistry behind Broadway and beyond. That includes costume design, such as the watercolor sketches of prolific midcentury costume designer Irene Sharaff, whose work on musicals like Sweet Charity and Candide, and on film adaptations including West Side StoryFunny Girl, and The King and I, is featured in the exhibition. 

Scenic artistry is also evident in the work of designers, including Jo Mielziner. The nine-time Tony winner’s pencil-drawn concepts for the original Broadway productions of Cat on a Hot Tin Roof and Daughters of Atreus speak to his powerfully sparse design sensibilities. (Mielziner also designed the original production of Death of a Salesman, returning to Broadway this spring with a new design by Chloe Lamford.)

Jo Mielziner's set design for Cat on a Hot Tin Roof.
Jo Mielziner’s set design for Cat on a Hot Tin Roof, 1955.

From sculpture to opera boxes

Some featured artists forewent two-dimensional renderings entirely. Tony Walton’s costume design for Michael Jackson as the Scarecrow in the 1978 film adaptation of The Wiz is rendered as a 12-inch-tall bronze statue.

Tony Walton's costume sculpture of the Scarecrow for 1978's The Wiz.
Tony Walton’s costume sculpture of the Scarecrow for 1978’s The Wiz.

Other artworks on display focus not on performers, but on audiences. Paintings of balcony seating, queues running under marquees, and opera boxes complete Helicline Fine Art’s historical portrait of the visual art behind theater—an industry that would be nothing without its devoted attendees.

A painting of an opera box by William Gropper.
“Opera Box” by William Gropper, 1957.

Fast facts: ‘Showstoppers: The Art of Stage and Screen’

For Broadway lovers who know theater begins long before the curtain rises, Showstoppers: The Art of Stage and Screen offers a rare glimpse into the diverse creative processes that come together to bring magic alive on stage.

Have another minute for more art?


Share this:

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.