Noah Galvin anchors this tender memory play about sobriety and family — moving when it matters, even if the script…
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Joshua Harmon gets personal in ‘We Had a World’—and it pays off
Joshua Harmon's most personal play, "We Had a World" is also one of his best—a sharp, tender tug-of-war between love,…
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Arena Stage’s ‘Chez Joey’ has big ambition. Does the classic framework hold it back?
In the opening sequence of Arena Stage’s Chez Joey, a bustling group of musicians and dancers arrives in a 1940s…
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6 women, 1 room, infinite timelines: ‘The Dinosaurs’ at Playwrights Horizons
Jacob Perkins' 'The Dinosaurs' at Playwrights Horizons asks audiences to sit with discomfort in a time-shifting recovery drama.
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Geffen’s ‘Sylvia Sylvia Sylvia’ can’t escape its own ending
Geffen's "Sylvia Sylvia Sylvia" starts with haunting brilliance but ends by reinforcing the very tropes it set out to dismantle.
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Sean Hayes turns the psychological thriller inside out in ‘The Unknown’
Sean Hayes stars in "The Unknown," a twisty thriller about a writer obsessed with his stalker. Who's hunting who?
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‘The Monsters’: Siblings, trauma & uppercuts in Ngozi Anyanwu’s new play
By Jerry Portwood All great stories contain drama, conflict, and tension, so it’s no wonder that many creators are drawn…
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Aisha Jackson: From ‘The Great Gatsby’ to Carnegie Hall & everything in between
Fresh off Broadway's "The Great Gatsby," Aisha Jackson prepares for Carnegie Hall talking faith, representation, and leaving a legacy.
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‘Chicago’ still has plenty to say about America’s ugliest impulses
The longest-running American musical on Broadway remains shockingly relevant. "Chicago"'s warnings about America ring truer than ever.
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Lin-Manuel Miranda & Broadway’s best join The Public Theater’s People’s Filibuster
If you’re in New York this weekend, get off the couch. The Public Theater just announced The People’s Filibuster, a…
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