Gary Cole plays an Italian mother and her son in Steppenwolf's "Catch as Catch Can"—a gripping Chicago premiere that's funny,…
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Lookingglass Theatre's world premiere is a sharp, funny vampire play with a near-perfect cast and one ill-timed tonal detour.
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Free Shakespeare in the Park's 'Romeo & Juliet' has a bold vision and a cast to match, but its border-town…
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Cornelius Kittrell shines in Cleveland Play House's world premiere, but this ambitious new musical hasn't yet decided who it's playing…
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'Brokeback Mountain' lands at Chicago Shakespeare—intimate, gorgeous, and nearly capturing Ennis and Jack's love.
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Martyna Majok and Aimee Mann's "Girl, Interrupted" is atmospherically rich but never quite escapes its own narrative remove at the…
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A love story in which a dying man's most urgent project is making sure the people he leaves behind still…
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Xhloe and Natasha know who does the dangerous work at the rodeo, and who gets the glory. The clown always…
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Eisa Davis's new play at Vineyard Theatre has rich themes—girlhood, chance, survival—but the production keeps audiences at arm's length.
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Kip Williams updates Genet's "The Maids" with AR filters and influencer culture at St. Ann's Warehouse.
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