“Get out of my discord shit-stain,” says Miller, a 28-year-old White incel infuriated that one of his group members has…
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Before ‘Wicked,’ Glinda had a family full of secrets
Gregory McGuire's 'Galinda: A Charmed Childhood' follows the future Good Witch as she dances, schemes, and daydreams her way toward…
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Denée Benton & Jasmine Amy Rogers turn a Ghanaian cafeteria into Broadway’s most cutthroat pageant race
'School Girls' on Broadway brings Jocelyn Bioh's 1986 boarding school comedy to MTC, where a pageant recruiter's visit exposes who…
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My Walkman never prepared me for this Jean Valjean
Jean Valjean got two summer showcases in NYC and the Hudson Valley, and Josh Young's open-air turn made an old…
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Snow can wait: Denver’s fall arts season, from Doja Cat to Nikki Glaser
Denver fall arts picks for 2026: Zac Brown Band at Red Rocks, the V&A's "DIVA" in its only U.S. stop,…
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In ‘Kowalski,’ Johnny Galecki’s Tennessee Williams plays hard to get
Johnny Galecki returns to the stage in 'Kowalski,' turning Marlon Brando's audition for Tennessee Williams into can't-miss theater.
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If music be the food of love, ‘Play On!’ serves the full Harlem buffet
"Play On!" trades Illyria for Harlem, and Chicago Shakespeare's 40th season opener dares you not to dance. Our five-star review.
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In ‘The Score,’ Brian Cox plays a composer who tests how much truth a king can take
Brian Cox stars in 'The Score' at Shakespeare Theatre Company, where a fugue becomes a face-off over power and conscience.
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A season of grief continues with ‘The Surge,’ Sonya Tayeh’s ode to Sinéad O’Connor
'The Surge' turns Sinéad O'Connor's music into a dance of protest, rage and self-love. Sonya Tayeh choreographs at The Joyce.…
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The world has a group chat about America, and Sarah Jones brings the whole family to respond
"America, Who Hurt You?" Sarah Jones answers with a country's worth of relatives, a therapeutic intervention and a hand on…
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