By Matthew Wexler Since 2002, the Canadian-based physical theater troupe, The 7 Fingers, has leaped, tumbled, juggled, and defied gravity…
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After Broadway setbacks, Rob Madge's autobiographical solo show finally arrives at New York City Center with technicolor love & sassy…
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Jean Smart trades Vegas luxury for Louisiana drama in "Call Me Izzy," her first time on Broadway in 25 years.
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John Krasinski delivers a captivating and unsettling performance as a man consumed by the Men's Gender Activism movement.
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A new take on Molière's 1673 comedy isn't a total painkiller, but will take the edge off.
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Amber Iman delivers Goddess-level vocals as an African deity hiding in Kenya's club scene.
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Twenty-five years after first premiering as a play, "Real Women Have Curves" returns to the stage as a musical.
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Pulitzer finalists turn celebutantes into captivating theater that's smarter than its subjects ever got credit for.
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David Hyde Pierce shines in this uneven G&S revival, but is Roundabout's jazzy "Pirates!" merely a licensing hidden treasure cash…
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A stylish set can't save 'Five Models in Ruins, 1981' from its superficial characters and forced finale in this fashion…
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