"I wanted to write a play about people watching television," says playwright Samuel D. Hunter.
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In ‘The Reservoir,’ bubbies, tough love & Jazzercise pave the road to recovery
In Jack Brasch's new play, "The Reservoir," a quartet of elders rallies to help their college-age grandson get sober.
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Jay Ellis and Stephanie Nur navigate war-torn romance in ‘Duke & Roya’
By Matthew Wexler A pop singer and her bodyguard (The Bodyguard), a prominent executive and her assistant (The Proposal), and…
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‘Prince Faggot’: A meta-theatrical queer reckoning that hits like a London downpour
What's more shocking than royal scandal? Royal truth. Jordan Tannahill's meta-masterpiece crowns itself king of uncomfortable conversations.
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‘You Will Get Sick’ delivers brains, heart & courage, but ocassionally stumbles over its own yellow brick road
Noah Diaz's "You Will Get Sick" offers a unique take on mortality and human connection through the lens of "The…
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Jean Smart trades stand-up for stanzas in Broadway’s ‘Call Me Izzy’
Jean Smart trades Vegas luxury for Louisiana drama in "Call Me Izzy," her first time on Broadway in 25 years.
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In ‘Angry Alan,’ John Krasinski’s mid-life meltdown takes a torch to male victimhood
John Krasinski delivers a captivating and unsettling performance as a man consumed by the Men's Gender Activism movement.
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Red Bull’s treatment of Molière’s ‘The Imaginary Invalid’ shows promise; side effects may vary
A new take on Molière's 1673 comedy isn't a total painkiller, but will take the edge off.
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The upside downer: Broadway’s ‘Stranger Things’ prequel bleeds out
Broadway's "Stranger Things" delivers visual spectacle but narrative chaos.
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Ryan J. Haddad’s measured monologue leaves us thirsty for more
Disabled writer-actor Ryan J. Haddad returns with another solo show, but is the glass half full or empty?
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