Jean Smart trades Vegas luxury for Louisiana drama in "Call Me Izzy," her first time on Broadway in 25 years.
Read More
Your inbox left at intermission.
It wants better content.
In ‘Angry Alan,’ John Krasinski’s mid-life meltdown takes a torch to male victimhood
John Krasinski delivers a captivating and unsettling performance as a man consumed by the Men's Gender Activism movement.
Read More
Red Bull’s treatment of Molière’s ‘The Imaginary Invalid’ shows promise; side effects may vary
A new take on Molière's 1673 comedy isn't a total painkiller, but will take the edge off.
Read More
The upside downer: Broadway’s ‘Stranger Things’ prequel bleeds out
Broadway's "Stranger Things" delivers visual spectacle but narrative chaos.
Read More
Ryan J. Haddad’s measured monologue leaves us thirsty for more
Disabled writer-actor Ryan J. Haddad returns with another solo show, but is the glass half full or empty?
Read More
Sadie Sink leads a powerful Gen Z takedown of ‘The Crucible’
In "John Proctor is the Villain," Sadie Sink and a powerful ensemble dismantle Arthur Miller's American classic
Read More
In ‘Glengarry Glen Ross,’ Broadway leverages TV stars Kieran Culkin & Bob Odenkirk as prime real estate
"Succession" and "Better Call Saul" fans are paying big bucks to see Kieran Culkin and Bob Odenkirk on Broadway—is it…
Read More
‘Are you happy? I didn’t ask what you had.’
Tony winner Matt Doyle and Caroline Aaron ("The Marvelous Mrs. Maisel") star in "Conversations with Mother."
Read More
‘V’ is for word. So vhat?
Playwright Sanaz Toossi's "English" reminds us that listening is a dying art form desperate for a revival.
Read MoreHave another minute? ⏰
By subscribing you agree to Substack’s Terms of Use, Privacy Policy, and Information Collection Notice.