Joe Mantello's Broadway revival of "Death of a Salesman" stars Nathan Lane in a production that asks how much of…
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This heist needs help. Jon Bernthal and Ebon Moss-Bachrach almost pull it off in ‘Dog Day Afternoon’
By Matthew Wexler Timing is everything. For better and worse, Dog Day Afternoon, a new Broadway play about a bank…
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What the stars say about Broadway’s biggest spring openings
An astrologer breaks down what the planets say about shows and stars, including Ayo Edebiri, Stephanie Hsu, and "Cats: The…
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5 regional theater shows worth the trip this April
Regional theater April 2026: Our top picks include a world premiere by James Ijames and revivals of three Tony-winning plays…
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‘Seagull: True Story’ asks how free is freedom?
Despite some structural hiccups, "Seagull: True Story" takes aim, and even if a few of Chekhov’s guns go unfired, the…
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What makes a beloved children’s author so unlovable? John Lithgow in ‘Giant’ towers over the answer
John Lithgow transforms into Roald Dahl in 'Giant,' Broadway's sharpest ask of who we cancel and why it's never that…
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‘Public Charge’ reclaims what diplomacy looks like, while we still remember
"Public Charge" at the Public Theater delivers a witty, timely reminder of what principled public service can actually look like.
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‘Jonah’ knows what it costs to keep loving. Studio Theatre’s production invites you to feel it.
Rachel Bonds' 'Jonah' follows one woman across a lifetime of learning who and what to trust.
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Artist Henry Darger built a universe. ‘Bughouse’ merely knocks at the door
Gorgeous production design can't rescue this visually rich but dramatically thin portrait of outsider artist Henry Darger.
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Daniel Radcliffe high-fives the entire Hudson Theatre, and that’s kind of the problem
Daniel Radcliffe is everything you want in "Every Brilliant Thing." The Hudson Theatre just isn't the venue for it.
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