Jacob Perkins' 'The Dinosaurs' at Playwrights Horizons asks audiences to sit with discomfort in a time-shifting recovery drama.
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‘Kramer/Fauci’ proves the best friendships are forged in fury
In "Kramer/Fauci," Daniel Fish transforms a C-SPAN segment into surreal agitprop that proves fury and friendship aren't mutually exclusive.
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Geffen’s ‘Sylvia Sylvia Sylvia’ can’t escape its own ending
Geffen's "Sylvia Sylvia Sylvia" starts with haunting brilliance but ends by reinforcing the very tropes it set out to dismantle.
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Sean Hayes turns the psychological thriller inside out in ‘The Unknown’
Sean Hayes stars in "The Unknown," a twisty thriller about a writer obsessed with his stalker. Who's hunting who?
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‘The Monsters’: Siblings, trauma & uppercuts in Ngozi Anyanwu’s new play
By Jerry Portwood All great stories contain drama, conflict, and tension, so it’s no wonder that many creators are drawn…
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Aisha Jackson: From ‘The Great Gatsby’ to Carnegie Hall & everything in between
Fresh off Broadway's "The Great Gatsby," Aisha Jackson prepares for Carnegie Hall talking faith, representation, and leaving a legacy.
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‘Chicago’ still has plenty to say about America’s ugliest impulses
The longest-running American musical on Broadway remains shockingly relevant. "Chicago"'s warnings about America ring truer than ever.
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Lin-Manuel Miranda & Broadway’s best join The Public Theater’s People’s Filibuster
If you’re in New York this weekend, get off the couch. The Public Theater just announced The People’s Filibuster, a…
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Review: ‘Ulysses’ compresses one day into a dense, demanding adaptation
By Matthew Wexler At over 700 pages, James Joyce’s 1922 novel Ulysses is the Mt. Everest of 20th-century literature. Spanning…
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Heaven can wait: Ian McKellen elevates ‘An Ark,’ but mixed reality can’t bridge the digital divide
An Ark's mixed-reality experiment offers proximity to Ian McKellen, but a genuine connection requires more than advanced optics.
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