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‘Goddess’ brings Afro-Jazz mythology to life where Amber Iman reigns supreme
Amber Iman delivers Goddess-level vocals as an African deity hiding in Kenya's club scene.
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Beyond the seams: ‘Real Women Have Curves’ stiches together the power of Latina sisterhood
Twenty-five years after first premiering as a play, "Real Women Have Curves" returns to the stage as a musical.
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Messy but magnetic: ‘The Last Bimbo of the Apocalypse’ is a Y2K fever dream worth catching
Pulitzer finalists turn celebutantes into captivating theater that's smarter than its subjects ever got credit for.
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Broadway’s ‘Pirates! A Penzance Musical’ sails on choppy waters
David Hyde Pierce shines in this uneven G&S revival, but is Roundabout's jazzy "Pirates!" merely a licensing hidden treasure cash…
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Out of vogue: ‘Five Models in Ruins, 1981’ needs a makeover
A stylish set can't save 'Five Models in Ruins, 1981' from its superficial characters and forced finale in this fashion…
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The upside downer: Broadway’s ‘Stranger Things’ prequel bleeds out
Broadway's "Stranger Things" delivers visual spectacle but narrative chaos.
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No body better: ‘Dead Outlaw’ is Broadway’s most unlikely hit
From bungled heist to carnival attraction, Broadway's "Dead Outlaw" kills it as 2025's best new musical about life after death.
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Forget what you think about biomusicals: Jonathan Groff changes the game ‘Just in Time’
Jonathan Groff brings crooner Bobby Darin to life, but don't expect a traditional tribute performance. This one stops time. Literally.
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Ryan J. Haddad’s measured monologue leaves us thirsty for more
Disabled writer-actor Ryan J. Haddad returns with another solo show, but is the glass half full or empty?
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Jeremy Jordan shines in ‘Floyd Collins’ despite cavernous challenges
Jeremy Jordan isn't the only one feeling stuck in Lincoln Center Theater's "Floyd Collins," about a cave explorer trapped underground.
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