

Daniel Radcliffe high-fives the entire Hudson Theatre, and that’s kind of the problem
Daniel Radcliffe is everything you want in "Every Brilliant Thing." The Hudson Theatre just isn't the venue for it.
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Daniel Radcliffe is everything you want in "Every Brilliant Thing." The Hudson Theatre just isn't the venue for it.
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Antigone (This Play I Read in High School) explores reproductive rights through the lens of Greek tragedy. The cast mostly…
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Ro Reddick's 'Cold War Choir Practice' detonates: magical realism, a fractured family, and America's gift for global anxiety.
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"About Time" musical review: Maltby and Shire at their best is very good, but the duo doesn't always know when…
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Barry Boehm's "Our House" tackles race and gay marriage in 2014 America, but stumbles under the weight of its own…
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Four treadmills, a grant application, and an Italian dinner: Pony Cam's "Burnout Paradise" is participatory theater with a mission.
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Goodman's The Brief Life of Oscar Wao wants to celebrate Dominican lives. It just keeps stepping on the women to…
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"Blood/Love" is a goth-glam fever dream with genuine theatrical ambition: messy in the best possible way, and impossible to look…
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Shattered Globe Theatre's “Morning, Noon, and Night” has big ideas but thin characters. Too bad the humans got lost in…
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"Night Side Songs" at Lincoln Center Theater asks you to feel something about life, illness, and death—but mostly asks you…
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