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Jean Smart trades stand-up for stanzas in Broadway’s ‘Call Me Izzy’
Jean Smart trades Vegas luxury for Louisiana drama in "Call Me Izzy," her first time on Broadway in 25 years.
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There’s no Tony for chemistry, but it can make or break a Broadway show
What creates Broadway chemistry? Inside the 2024-25 season's explosive hits and shows that couldn't find their spark.
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In ‘Angry Alan,’ John Krasinski’s mid-life meltdown takes a torch to male victimhood
John Krasinski delivers a captivating and unsettling performance as a man consumed by the Men's Gender Activism movement.
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Red Bull’s treatment of Molière’s ‘The Imaginary Invalid’ shows promise; side effects may vary
A new take on Molière's 1673 comedy isn't a total painkiller, but will take the edge off.
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How artist Kent Monkman is refuting the Romantic view of the “vanishing race”
The Denver Art Museum presents "History is Painted by the Victors," the first major solo exhibition by Kent Monkman.
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Checkmate: ‘Chess’ returns to Broadway with Lea Michele, Aaron Tveit and Nicholas Christopher
"Chess" Returns to Broadway with an all-star cast, but will the Cold War plot hold up for modern-day audiences?
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From corpse to Cruise: ‘Operation Mincemeat’ writers take a break to tackle a Tom Cruise musical
As if the creators of "Operation Mincemeat" weren't busy enough, now they're teasing a new Tom Cruise musical.
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Cannavale, Corden & Harris are about to go head to head on Broadway
Yasmina Reza's 1994 play, ART, returns to Broadway with an all-star cast.
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‘Goddess’ brings Afro-Jazz mythology to life where Amber Iman reigns supreme
Amber Iman delivers Goddess-level vocals as an African deity hiding in Kenya's club scene.
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Broadway’s boldest moves celebrated at Chita Rivera Awards
'Buena Vista Social Club' took top honors at this year's Chita Rivera Awards, winning Outstanding Choreography in a Broadway Show.
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Beyond the seams: ‘Real Women Have Curves’ stiches together the power of Latina sisterhood
Twenty-five years after first premiering as a play, "Real Women Have Curves" returns to the stage as a musical.
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Messy but magnetic: ‘The Last Bimbo of the Apocalypse’ is a Y2K fever dream worth catching
Pulitzer finalists turn celebutantes into captivating theater that's smarter than its subjects ever got credit for.
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